NOIRVEMBER Day 6 – My Favourite Film Noir Quotes

Noirvember Day 6 - film noir quotes

Hello lovelies! In today’s Noirvember post I want to talk about my favourite quotes from noir movies!

I think witty writing is an essential element of good film noir. Due to the constraints of the Hays Code, scriptwriters had to be inventive in showing the dubious morality of their characters.

The Big Sleep (1946)

Vivian, not talking about horses: “Speaking of horses, I like to play them myself. But I like to see them work out a little first, see if they’re front runners or come from behind, find out what their whole card is, what makes them run.”

Philip Marlowe: “Find out mine?”

Vivian: “I think so.”

Marlowe: “Go ahead.”

Vivian: “I’d say you don’t like to be rated. You like to get out in front, open up a little lead, take a little breather in the backstretch, and then come home free.”

Marlowe: “You don’t like to be rated yourself.”

Vivian: “I haven’t met anyone yet that can do it. Any suggestions?”

Marlowe: “Well, I can’t tell till I’ve seen you over a distance of ground. You’ve got a touch of class, but I don’t know how far you can go.”

Vivian: “A lot depends on who’s in the saddle.”

 

Double Indemnity (1944)

Phyllis Dietrichson, at their first meeting: “There’s a speed limit in this state, Mr. Neff. Forty-five miles an hour.”

Walter Neff: “How fast was I going, officer?”

Phyllis: “I’d say around 90.”

Neff: “Suppose you get down off your motorcycle and give me a ticket.”

Phyllis: “Suppose I let you off with a warning this time”

Neff: “Suppose it doesn’t take.”

Phyllis: “Suppose I have to whack you over the knuckles.”

Neff: “Suppose I bust out crying and put my head on your shoulder.”

Phyllis: “Suppose you try putting it on my husband’s shoulder.”

Neff: “That tears it.”

 

Murder, My Sweet (1944)

“Okay Marlowe,” I said to myself, ‘You’re a tough guy. You’ve been sapped twice, choked, beaten silly with a gun, shot in the arm until you’re crazy as a couple of waltzing mice. Now let’s see you do something really tough—like putting your pants on.”

 

Out of the Past (1947)

Jeff: “That’s not the way to win.”

Kathie: “Is there a way to win?”

Jeff: “There’s a way to lose more slowly.”

The Maltese Falcon (1941)

“We didn’t exactly believe your story, Miss O’Shaughnessy. We believed your two hundred dollars. I mean, you paid us more than if you’d been telling us the truth, and enough more to make it all right.”

Do you have your favourite quotes from movies? Maybe you’ve even used them in real life? Tell me in the comments!

Happy Noirvember!

NOIRVEMBER Day 4 – Moving pictures

noirvember
Well, hello there! Are you enjoying Noirvember so far? Have you watched any noir films yet?

Since I plan on infecting all of you with my love of film noir, today I decided to share a collection of my favourite gifs from noir films. Because everyone needs a good reaction gif, and these old movies are absolutely full of wonderful shots!

Rita Hayworth in “Gilda” (1946) gif by mattsko.wordpress.com

“Gilda” is actually full of really good shots, but I think this one fits as a reaction gif best 🙂

Paul Valentine in “Out of the Past” (Tourneur, 1947) gif by littleplasticthings.tumblr.com

Humphrey Bogart in “The Maltese Falcon” (Huston, 1941) gif by bellecs.tumblr.com

Dick Powell in “Murder, My Sweet” (Dmytryk, 1944) gif by ??? (if you recognize the author, please let me know!)

Lauren Bacall in “???” gif by rphelper.tumblr.com

Barbara Stanwyck in “Double Indemnity” (Wilder, 1945) gif by charlottecamillevale.tumblr.com

Humphrey Bogart in “The Big Sleep” (Hawkes, 1946) gif by ??? (if you recognize the author, please let me know!)

This might also be my favourite quote from the movie!

Gloria Grahame in “The Big Heat” (Lang, 1953) gif by filmnerdsunite.wordpress.com

Rita Hayworth in “The Lady From Shanghai” (Welles, 1947) gif by grafixandnoirandgarage.tumblr.com

The last one probably isn’t a good reaction gif, but it was just too good not to share…

Humphrey Bogart and Lauren Bacall in “The Big Sleep” (Hawks, 1946) gif by bellecs.tumblr.com

Do you have your favourite film noir gifs? Please share them in the comments!

NOIRVEMBER Day 2 – FILM REVIEW – “Double Indemnity” (1944)

Noirvember - day 2

Classic Film Noir

Now that you are familiar with the concept of Noirvember, I thought it only appropriate to start with a review of one of my favourite noir films. “Double Indemnity” is a fascinating, tragic story of an insurance agent and a bored housewife.

No, really 🙂

The movie is a thrilling story about greed, heartbreak and human weakness. Walter Neff, an insurance agent, sits in his office, wounded, and records a story for his boss, Barton. It all started with the Dietrichsons. He recounts going to their house to discuss an insurance policy and instead of Mr. Dietrichson, he meets his wife, flirty, beautiful Phyllis. They both immediately take a liking to each other and Phyllis loudly wonders about the life policy of her husband. It doesn’t take long for them to come up with a plan that will not only free her from her married status, but also get them a nice lump sum of $100,000. With such an amoral plot, it can’t all end up happily, can it?

On rewatching the movie I was captivated by how the feeling of impending doom was conveyed since the very first scene. We know from the very first moment that this is not going to end well. Walter narrates his story bleeding from a gunshot wound, so we know there are going to be consequences for him. Wilder used this flashback device, telling us the ending from the very start, in his other famous film noir, “Sunset Boulevard”. I think it is a vital element of the gloomy mood of noir. What hooks us is how the plot to kill Phyllis’s husband is going to go wrong.

Another element of the film breaking up the convention is the lack of good – as in, sympathetic – characters in this film. Walter has no qualms about seducing a married woman and is quite ready kill her husband, both for love and the money. Cold Phyllis is almost a psychopath, motivated by little more than boredom. Barton, Walter’s boss is presented as the honest guy, dedicated to his work, but also kind of pretentious and charmless (although the father-son relationship between him and Walter is probably the one positive relationship in the movie). Phyllis’s doomed husband is rich, boorish and utterly dull. Nevertheless, the drama that ensnares them all is immediately captivating.

The movie itself is a collaboration of titans. Based on a novel by James M. Cain, with the script written by Raymond Chandler and Billy Wilder, and directed by Wilder, it truly set a standard for many films of the genre. The same goes for the look of the film. It takes place in the City of Angels, and if a scene takes place outside, it’s almost always night. If it’s inside, it’s dimly lit, with sunlight coming in through the blinds, exposing dust in the air.

The only exception is Barton’s office. That’s because Barton, despite his lack of charisma, is the moral center of the film. He is, however, too blind to see that the person he is looking for, the accomplice in the murder of Mr. Dietrichson, is his friend of 11 years, someone “close – right across the desk […]”. “Closer than that” he says to Neff quietly. Neff smiles, and struggles to light up a cigarette. Barton takes the lighter from him and lights up the cigarette. There is tenderness in this exchange that enhances the tragic heroism of the story.

Does it stand the test of time?

To me, absolutely. It’s a must-see for any fan of not just film noir, but classic cinema in general. The movie did not gain universal acclaim when it first came out. Despite its popularity, many people were uncomfortable with its theme and saw it as too immoral. At the 17th Academy Awards in 1945, “Double Indemnity” received seven Oscar nominations, including one for Best Film, but did not win any. Its appreciation and popularity, however, grew in time. In 1992 the U.S. Library of Congress deemed it “culturally, historically, or aesthetically significant”, and thus selected it for preservation in the National Film Registry.

Interesting tidbit about me – I once wrote a 10-page paper about just one scene from “Double Indemnity” for a film study class. It was about the first meeting between Walter Neff and Phyllis Dietrichson, starting with her descending from the stairs. Remember when the camera first focuses just on her anklet? That’s an introduction of a sensual femme fatale!